World Library  
Flag as Inappropriate
Email this Article

Chikan (embroidery)

Article Id: WHEBN0003025847
Reproduction Date:

Title: Chikan (embroidery)  
Author: World Heritage Encyclopedia
Language: English
Subject: Economy of Lucknow, Culture of Uttar Pradesh, Lucknow, Aminabad, Lucknow, Hazratganj
Collection: Culture of Uttar Pradesh, Economy of Lucknow, Embroidery in India, Lucknow Culture
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Chikan (embroidery)

Chikan embroidery on a cotton kurta

Chikan (Hindi: चिकन, Urdu: چکن‎) is a traditional embroidery style from Lucknow, India. Literally translated, the word means embroidery. Believed to have been introduced by Nur Jehan, the wife of Mughal emperor Jahangir,[1] it is one of Lucknow's best known textile decoration styles.

Contents

  • Origin 1
  • Technique 2
  • GI status 3
  • In popular culture 4
  • References 5
  • Further reading 6
  • External links 7

Origin

There are several theories about the origin of Chikankari. Chikankari - the process of chikan - was basically invented in Lucknow. It developed quickly during the period when the Mughals ruled and consisted of styles inspired by foreigners. Lucknow grew into an international market for its renowned Chikankari work. There are references to Indian Chikan work as early as 3rd century BC by Megasthenes, who mentioned the use of flowered muslins by Indians. There is also a tale that mentions how a traveler taught Chikankari to a peasant in return of water to drink. However, the Noor Jahan story is the most popular of the lot.[2]

Chikan began as a type of white-on-white (or whitework) embroidery.

Technique

The technique of creation of a chikan work is known as chikankari (चिकनकारी چکن کاری). Chikankari is a delicate and artfully done hand embroidery on a variety of textile fabric like muslin, silk, chiffon, organza, net etc. White thread is embroidered on cool, pastel shades of light muslin and cotton garments. Nowadays chikan embroidery is also done with coloured and silk threads in different colours to meet the recent fashion trends and keep chikankari up-to-date. Lucknow is the heart of the Chikankari industry today and the variety is known as Lucknawi chikan.

Chikankari or Chikan work in the recent times has also adapted additional embellishments like Mukaish, Kamdani, Badla, Kamdani, Sequin, bead and mirror work, which gives it a rich look. Chikan embroidery is mostly done on fabrics like, Cotton, Semi Georgette, Pure Georgette, Crepe, Chiffon, Silk and any other fabric which is light and which highlights the embroidery. Also, it should be taken care of that the fabric is not too thick or hard, else the embroidery needle won't pierce it.

The piece begins with the use of one or more pattern blocks that are used to block-print a pattern on the ground fabric. The embroiderer then stitches the pattern, and the finished piece is carefully washed to remove all traces of the printed pattern.[3] Process of Chikankari includes following steps:

  • Design
  • Engraving
  • Block printing
  • Embroidery
  • Washing & finishing

The patterns and effects created depend on the types of stitches and the thicknesses of the threads used in the embroidery. Some of the varieties of stitches used include backstitch, chain stitch and hemstitch. The result is an open work pattern, jali (lace) or shadow-work. Often the embroiderer creates mesh-like sections in the design by using a needle to separate threads in the ground fabric, and then working around the spaces.[3] It consists of 36 different stitches, which are:[4]

Front view of Chikan embroidery being done over temporary block printed pattern
  • Tepchi - Tepchi is a long running or darning stitch worked with six strands on the right side of the fabric taken over four threads and picking up one. Thus, a line is formed. It is used principally as a basis for further stitchery and occasionally to form a simple shape.
  • Bakhiya - ‘Shadow Work’ or Bhakia is one of the 32 stitches of chikankari. The reason for the name shadow is that the embroidery is done on wrong side and we see its shadow on the right side.
  • Hool - Hool is a fine detached eyelet stitch. Herein, a hole is punched in the fabric and the threads are teased apart. It is then held by small straight stitches all round and worked with one thread on the right side of the fabric. It can be worked with six threads and often forms the center of a flower.[5]
  • Zanzeera
  • Rahet
  • Banarsi
  • Khatau
  • Phanda''
  • Murri - Murri is the form of stitch used to embroider the centre of the flowers in chikan work motifs. They are typically French knots, with being rice-shaped. Murri is the oldest and most sought form of chikankari , the use of this stitch is depleting due to decrease in the number of artisans doing this embroidery.
  • Jali - Jaali stitch is the one where the thread is never drawn through the fabric, ensuring that the back portion of the garment looks as impeccable as the front. The warp and weft threads are carefully drawn apart and minute buttonhole stitches are inserted into the cloth.
  • Turpai
  • Darzdari
  • Pechani
  • Bijli
  • Ghaspatti
  • Makra
  • Kauri
  • Hathkadi
  • Banjkali
  • Sazi
  • Karan
  • Kapkapi
  • Madrazi
  • Bulbul-chasm
  • Taj Mahal
  • Janjeera
  • Kangan
  • Dhania-patti
  • Rozan
  • Meharki
  • Chanapatti
  • Baalda
  • Jora
  • Keel kangan
  • bulbul
  • sidhaul
  • ghas ki patti

GI status

Geographical Indication Registry (GIR) accorded the Geographical Indication (GI) status for chikankari in December 2008, which recognized Lucknow as an exclusive hub of chikankari.[6]

In popular culture

1986 Indian film, Anjuman (1986) directed by Muzaffar Ali and starring Shabana Azmi and Farooq Shaikh is set in Lucknow and deals with issues of chikan workers.[7]

References

  1. ^ Wilkinson-Weber, Clare M. (1999). 5. Skill and Knowledge in Fine Chikan Embroidery, Embroidering Lives: Women's Work and Skill in the Lucknow Embroidery Industry, pp. 12-13. State University of New York Press. ISBN 0-7914-4087-7.
  2. ^
  3. ^ a b Dusenbury, Mary M. (2004). Flowers, Dragons and Pine Trees: Asian Textiles in the Spencer Museum of Art, p. 42. Hudson Hills Press. ISBN 1-55595-238-0.
  4. ^
  5. ^
  6. ^
  7. ^

Further reading

  • Romancing With Chikankari by Veena Singh

External links

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.